Within Faulkner's audio arsenal, the Merging Technologies Anubis interface plays a pivotal role. He explained that he had experimented with numerous interfaces, always in search of the best sound, including preamps, EQs, and compressors. However, when he started using the Anubis, he was blown away.
"Just using the Anubis alone, I was like, 'Wow'!" Faulkner exclaimed. "Even simple features like switching to mono and flipping the polarity on the interface make it easy to identify heavily out-of-phase elements. It's just two clicks—check and move on. It has become second nature; you don't even have to think about it. This way, you can focus more on the creative side rather than getting too technical. While the technical aspects are important, you don't want to make things sound overly technical. Anyone can handle the technical side, but creativity is something that must come from within."
“The first time I used the Anubis was on the Sarz and Obongjayer Sweetness EP,” he continues. “It was very ‘80s sounding, and Obongjayer has a very deep, full voice, and I wanted something that could capture the whole spectrum of his voice. It was great to use it on the project because it made his voice sound 3D, which was really interesting. And the way the low-end translated on the pres is so lovely, it’s like silk but you still get this huge warmth.”